PRESS

 

 

Exhibition

 

REFUGIUM 

Bruno Walpoth, sculpture
Eberhard Ross, painting

 

 Download (PDF)

 

Vernissage
Wednesday, October 16, 2019, 7 pm

 

On the exhibition
Günther Oberhollenzer

Duration
October 17 – November 30, 2019

 

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REFUGIUM 

 

A refugium is a retreat or refuge. A safe place in an uncertain and disquieting world. Like an oasis in the desert or an island in a stormy sea. And that is precisely why artists Bruno Walpoth and Eberhard Ross chose to name their first joint exhibition at Galerie Straihammer and Seidenschwann Refugium.Neither of them go on lonely desert hikes or sailing on the high seas, however, both create a very personal refuge in their studios. The two artists have a similarly meditative way of working, of sinking into the world of their art studio, both seem to profoundly communicate with their art during its creation.

 

Bruno Walpoth’s people hewn from linden or walnut trees emerge through the interaction with and detailed examination of models. The bodies, lines, and shapes of a few lean young men and many beautiful women are carved out of wood blocks in full life size. The exterior of the model acts as a shell for implied projections. 

 

Eberhard Ross’s work process does not allow for selling out. In black and white writings, a single uninterrupted line is inscribed into layers of paint. The fermata series was named after the character that indicated the holding of a sound or a pause in music. John Cage showed us this in the world of music with his piece 4 min 33 sec, with Boris Parena aptly stating in 1978: “John Cage’s silence creates an opening up to the sounds of the world.” Both artists create a framework within which we can come into contact with ourselves, a rarity in these times of the omnipresence of Twitter, Facebook, and Instagram – although this meeting with ourselves can be a great challenge and require courage. And so, for the duration of the exhibition, this gallery in one of the most beautiful and oldest buildings in Vienna becomes a refuge for visitors in a world overflowing with stimulation and impressions.

 

Bruno Walpoth

 

Born 1959 / Lives in Val Gardena 
1973–1978 Sculpting apprenticeship in Ortisei, Val Gardena 
1978–1984 Academy of Fine Arts, Munich, under Prof. Hans Ladner 
1983 Named to the Master Class 
1985–2008 Teacher at the Regional School of Sculpture in Selva 
2000–present Member of the South Tyrolean Artists’ Association

 

Images (Download)/ Bruno Walpoth:

 

top left 

Sitzende, 2017, Nuß, 105 x 50 x 54 cm | Foto: Egon Dejori

top right 

Ariel, 2019, Nuß,127x50x28 cm

bottom 

Bernadette 2, 2019, Nuß,62 x 50 x 32 cm

 

Eberhard Ross

Born 1959 in Krefeld, Germany
Studied at the University of Arts in Folkwang, Essen, Germany, under Friedrich Gräasel

Lives and works in Frankfurt and Mühlheim

 

 

Images (Download)/ Eberhard Ross:

 

top left 

white writing, 2019, Öl auf Leinwand, 40 x 30 x 4,5 cm

top right 

black writing, 2109, Öl auf Holz, 150 x 140 cm

bottom 

fermata, 24 x 20 cm , Öl auf Holz, 2019 | © Veit Lewellyn

 

Vernissage
Wednesday, October 16, 2019, 7 pm

 

On the exhibition
Günther Oberhollenzer 

Duration
October 17 – November 30, 2019

 

 

 

Exhibitions

nature at it’s best
Natur vom Feinsten

 

 Download (PDF)

 

Vernissage
Thursday, September 12, 2019, 7pm
as part of the Vienna City Gallery Walk

 

Participating Artists:
Robert Bodnar, Robert F. Hammerstiel, Brigitte Lang, Franz Xaver Ölzant, 

Noel Paine, Martina Pruzina-Golser, Helmut Stadlmann 

 

On the exhibition:
Hartwig Knack (Concept and Curation)

Duration
until October 12, 2019

 

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nature at it’s best
Natur vom Feinsten 

 

Biomorphic, vegetal, and crystalline forms have been the nucleus of Franz Xaver Ölzant’s sculptural body of work since the 1960s. In honor of his 85th birthday, the Galerie Straihammer und Seidenschwann are dedicating an exhibition to the multi-faceted theme of nature. The show divulges an emotional approach to nature while exploring the interfaces of art, the environment, science, and everyday life. Seven artists pose questions on the politically and socially motivated treatment of nature, transferring the complex processes of nature into the sphere of the arts. Wilderness and retreat, digital and real idyllic images, micro- and macroscopic structures, cosmic contexts, physics, and geometry are all part of the exhibited works of art, which together reflect the realities of our time.

 

 

Images (Download):

 

 

top left 

Martina Pruzina-Golser: Botanische Konstrukte  2014, Bleistift / Aquarell / Folie / Papier, 62 x 43 x 5cm

top right 

Robert F. Hammerstiel: Waste Land, 2011, C-Print auf Acrylgals, Acrylgalsbox, 46 x 71 x 5 cm

bottom left

Noel Paine: Left over bowl of white, 2019, Öl auf Leinwand, 100 x 100 cm

bottom right

Brigitte Lang: ASSOZIATION, 2014, Eisen, MDF-Platte, Karte, Papier, Glas, Lack, 51 x 51 x 50 cm

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Vernissage
Thursday, September 12, 2019, 7pm
as part of the Vienna City Gallery Walk 

 

Participating Artists:
Robert Bodnar, Robert F. Hammerstiel, Brigitte Lang, Franz Xaver Ölzant, 

Noel Paine, Martina Pruzina-Golser, Helmut Stadlmann 

 

On the exhibition:
Hartwig Knack (Concept and Curation)

Duration
until October 12, 2019